6th May 2019
I am delighted that one of my recent laser cut woodcuts has been acquired by the department of Drawings & Prints at MoMANew York. My etching What Remains- Possessionsis included in the…
I am delighted that one of my recent laser cut woodcuts has been acquired by the department of Drawings & Prints at MoMANew York. My etching What Remains- Possessionsis included in the…
I am delighted to announce the launch of our AHRC Funded Network website Picturing the Invisible https://www.arts.ac.uk/research/groups-networks-and-collaborations/picturing-the-invisible Through a series of events and exchanges, the network asks How can we articulate the invisible,…
I am pleased that my paper A Visual Response to the Siege of Sarajevo has been published in the Journal of Visual Art Practice. To read the paper please use…
A Visual Response to the Siege of Sarajevo My paper, A Visual Response to the Siege of Sarajevo has been accepted for publication in the Journal of Visual Art Practice…
In the current issue of Art in Print (Jan-Feb 2019) i have a review of the Krakow Triennial which was staged in the summer of 2018. in addition I have…
The Printed Line 6 April 2019 - 15 November 2020 This exhibition will consider how artists have used a variety of printmaking techniques to exploit the potential of the printed…
Reconciliations: The Evidence of the Visible Reconciliations: The Evidence of the Visible is one of an ongoing series of exhibitions of art work produced in response to a call to artists to investigate the concept…
In the current issue (Dec 2018) I have a review of 'Picasso; Minotaurs and Matadors' staged at Gasgosian Gallery London in 2017.
EXCLUSIVEMENT CONTEMPORAIN La Société suisse de gravure fête ses 100 ans 19 octobre 2018 - 3 février 2019 My work is included in this 100 year celebration of the Swiss…
I have written about Caulfield's bookwork, Some poems of Jules Laforgue in the current issue of Art in Print (Nov-Dec 2018). This special issue is dedicated to poetry & print…